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©2006-2009 `eilidh
:iconeilidh:

Artist's Comments

Subject taken from CGTalk Daily Sketch 736 -- was of course out of time limits, though.

... So don't blame me entirely. :) This had better be viewed with a good dose of humour!
But really, it was lots of fun. First off, the topic struck my two-year old crush on all things Japanese (by all means mock me as you please). Then my love for all things warlike.

On a more serious note, working on fabrics is something I have been paying more attention to these days, and I think I am seeing relative improvement. On the same technical level, I wanted to work a little on my contrast with pencils. I used a calligraphy pen for the black areas and a small 0.25 pen for the deepest shadows of the face and hair -- the rest is done with a 3B and an HB mechanical pencil for some details.

Known issues: The blade, which is barely big enough for a wakizashi, let alone a katana. For some silly reason -- but mainly because I had started this as a practice peace rather than a drawing to be finished and polished up -- I thought it better to make it smaller rather than cut it at the edge of the paper. The hand also annoys me -- it's far from correct. And the foot and geta are problematic, too. (And then there are all sorts of smaller things in the clothes' folds that the perfectionist me cringes at but cannot really do much about since it's a pencil, not a digital drawing.)
After some thought, I decided to leave the right part of the doorway sketchy. I am not sure the transition from rendered to sketchy is as smooth as I'd have liked it, though.

Anyway. I'm one-third-happy with this. I am seriously tempted to remake it.

Comments


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:iconempty-darkness:
Waaaw I Luff it <333

--
<> U Will Never Reach My Crying Face Behind That Smiling Mask <>
:iconobi-quiet:
D.A.N.G. *When I can collect my thoughts and have more to say...I might be back...until then...WOW*

--
This is the best kind of person to talk to: someone who is willing to take an honest look at the evidence. Being willing is essential. Evidence cannot convince the unwilling.

-- Norman L. Geisler, Frank Turek, David Limbaugh
:iconelvenart:
The description of yourself as a perfectionist sounds so like myself. ;-) So, with the thought in mind that I can related to the way you approach your own work...

For me, the Samurai in the picture conveys an image of strength and pride, but also of hesitation or thoughtfulness. She chooses her actions deliberately, she wouldn't jump forward, unless there was a very good reason. She's probably very quick and skillfull, not necessarily very strong. But she knows her strengths and knows how to use them to her advantage.
Does she step back to enter the house or is she just coming out of it? We don't know, but the picture leaves us wondering as to what has happened right before that scene.

Technically, I can see where you're coming from, but try not to be too picky with yourself (hehe, I can't talk... ;-) ). I can well understand that this was "out of time limits" for a "daily sketch". Granted, the blade could have been a bit longer... this might be a bit distracting. Also, the shadow on the floor might be just a tiny bit too circular. Those "mistakes", however, (and the other "known issues" that you mentioned) render the drawing alive and add your personal view of the scene. Of course, you could have taken a black-and-white photograph or you could have drawn the whole thing as if it was a photograph... However, in my opinion, your work is a lot more fascinating to look at! And this is due, in part, to the imperfections.

...and the perfections. :D

--
Digital Art
Photography
:iconthomasxarcane:
Are you tempted to remake this digitally?

One thing that caught my eye here is the choices made for the tones. The shading of the lightest parts makes the whites shine as silk in the sun. That is beautiful. One other thing I especially love in this drawing is the way you rendered the shadows behind the door. They have this feel of motion as if they were spreading into the light.

As for the hand and the feet, you should look back at this in a few days. I am quite a perfectionnist too and I find those elements well rendered considering the choosen perspective.

I think you made good decisions here while creating this drawing and I'm impressed by the result. (And you are saying that you were limited in time?) My compliments to you.

--
The rain is green under the branches of our forest.
:iconellygator:
I love it! Great job on the fabrics. You really bring out the graphical, starched quality so much of traditional Japanese costumes have. And if you re-do it, go for the big katana! You deserve it!

--
"You must do everything yourself." (First rule of Alchemy)
:iconshinyboot:
Wow, the fabrics are beautiful. You did a great job.

--
Get busy living, or get busy dying.
[link]
:iconflaery:
I love the eyebrows--so revealing of the personality.

--
My devname rhymes with merry. :flirty:

"Poetry should surprise by a fine excess ... should strike the Reader as a wording of his own highest thoughts, and appear almost a remembrance."-John Keats

Want my stock? ~flaerystock
:iconscavengerpan:
zhleyw...

--
ThereIn Lies The Beauty
:iconesceden:
Amazing textures and a determined physique.. I atmosfaira me parasirei.. bithistika sti figoura sou.. den exeis dikio gia ti douleia me to molibi sou.. i sinergasia tou me to penaki einai apsogi!

:clap: well done!

--
Improbability Drive

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June 18, 2006
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